Fifteen years in design leave a particular kind of mark, not nostalgia, but a way of seeing.

After a decade and a half leading projects in brand identity, spatial concepts, and design systems for luxury brands, cultural institutions, and premium retail environments across France, Italy, Monaco, and China, I chose to shift registers. Not to escape discipline, but to deepen it.

My current practice explores what design cannot resolve : the questions our digital era generates, the place of truth, between what we construct and what persists. Where applied design seeks empathy and resolution, this work embraces exploration as a method. Uncertainty, here, is not a problem. It is the material.

That shift was accelerated by teaching. In the classroom, watching a generation navigate a culture where images multiply faster than meaning, I found myself returning to a single question : what remains true, for those who have never known anything but the digital ? And, at a larger scale : what endures ?

The answer led me back to horology, in our analogue age. Watchmaking, a fascination rooted in childhood, operates on principles that resist erosion, precision and material truth. Timekeeping is the only craft that takes time itself as its material. These are now the conceptual foundations of my art practice.

I explore what holds in a digitally saturated era, engaging with horological logic not as illustration, but as structure.

Based on the French Riviera. Working at the intersection of contemporary art, luxury craftsmanship, and visual culture.